When it comes to social media sites, this isn’t new. They own your images the second you upload them and can do whatever they like with them. Facebook’s terms have changed so many times I can’t keep up with the terms of use but it’s often been discussed that you take your chances when uploading content there. If you read the Terms of Service (TOS) then you see you’ve lost control of how your images are used.

Facebook’s TOS:

Sharing Your Content and Information

You own all of the content and information you post on Facebook, and you can control how it is shared through your privacy and application settings. In addition:

For content that is covered by intellectual property rights, like photos and videos (IP content), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook (IP License). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.
When you delete IP content, it is deleted in a manner similar to emptying the recycle bin on a computer. However, you understand that removed content may persist in backup copies for a reasonable period of time (but will not be available to others).

Now comes Pinterest. The hottest new social media site. Actually I like the concept, it’s easy to navigate and easy to use. I’ve found quite a bit of interesting stuff there I probably wouldn’t have been exposed to. Yes I do have a board there with a couple images and that will be deleted today or at the very least, drastically modified. Why? Because their terms of service also grants them total control over what you post. As a wedding photographer, I would like to upload some samples of my work to display and promote the business. With these terms, I could potentially see a recognizable bride wanting to sue if one of her images was used in someone’s advertising campaign as an example. Unfortunately, once I’ve uploaded the image, I’ve lost total control over it’s use.

So when dealing with any social media, keep this in mind. Once you upload your photos, they are no longer in your control and they can do whatever they like with them, including sell them to a third party.

In case you didn’t take the time to read it, here’s the Pinterest TOS clause regarding content use:

Member Content
We may, in our sole discretion, permit Members to post, upload, publish, submit or transmit Member Content. By making available any Member Content through the Site, Application or Services, you hereby grant to Cold Brew Labs a worldwide, irrevocable, perpetual, non-exclusive, transferable, royalty-free license, with the right to sublicense, to use, copy, adapt, modify, distribute, license, sell, transfer, publicly display, publicly perform, transmit, stream, broadcast, access, view, and otherwise exploit such Member Content only on, through or by means of the Site, Application or Services. Cold Brew Labs does not claim any ownership rights in any such Member Content and nothing in these Terms will be deemed to restrict any rights that you may have to use and exploit any such Member Content.

You might like to read this article in The Verge: Pinterest’s uneasy relationship with copyright law: what happens next.

Update Feb 2th, 2012: It seems Pinterest is reading all the interest in their TOS and have provided a “No Pin” metadata tag for your web site or blog. This goes part way to a solution at least for those who don’t want their work on the site and don’t even have an account. You can see the details here “Forbes”.

Cheers and good shooting
-Peter Zack

Related posts:

1. Pinterest. Maybe not so good for business.
2. F-BoM May 2009: Pixelated Image
3. Free Image and Photo Editing Software Resources

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Peter Zack for Enticing the Light, 2012. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

We’ve all seen those terrible HDR (High Dynamic Range) photos floating around the internet like a school of hideous jellyfish terrorising our ocean of innocent eyes, but this is not what I want to show you today.

Boris Dmitriev & Stanislav Korotkiy, at the Special Astrophysical Observatory of the Russian Academy of Science, wanted to photograph the Lunar halo in all its invisible glory. I say invisible, not because the halo isn’t there in reality, but because it is so dim in comparison to the Moon that our eyes cannot see it. The photo you see above was accomplished by combining 6 separate exposures of 1/1,000s, 1/2s, 1s, 2.5s, 5s and 10s. That’s 13.3 stops of dynamic range, except the dimmest rings have here been captured closer to the middle of the 10s exposure histogram. If you had a camera with a sensor capable of 13.3 stops of dynamic range, and you shot this scene, the faintest ring would appear in the deepest shadows of your exposure and barely be visible while the Moon would be mostly clipping and almost featureless. Hence, HDR to the rescue!

See the complete image and learn how the Lunar halo is formed, go here to the very recommendable Optics Picture of the Day site.

Good moonlight and good luck,

    —Miserere

All images: ©Boris Dmitriev & Stanislav Korotkiy.

No related posts.

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2012. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

Squares A and B are the same shade of grey!

Have you ever seen the optical illusion illustrated on the right (image courtesy of Brainist.com)? The squares marked A and B are exactly the same shade of grey. No, seriously! If you don’t believe it, you can use an eyedropper tool (I use the great Firefox extension ColorZilla) or download the image to your computer and use your favourite image processing program to sample the colours. Or better yet, why don’t you get someone to build a real 3D model of this illusion and video it? That’s exactly what artist Brusspup did, and you can see the video below.

http://www.youtube.com/watch?v=z9Sen1HTu5o

You might be asking yourself what this all has to do with Photography… The images you take are all about contrasts! At least the good ones are. You might use the contrasts for comedy, drama, admiration, desire… And the contrast need not be in the photo itself, but in how the photo relates to its physical surroundings or historical context. But there’s always contrast. In the video above we learn the importance of colour and shade contrast and how the human mind can be fooled into seeing something that’s not there, which should also remind you (and me) that a photograph isn’t necessarily an accurate representation of reality, because even our eyes cannot guarantee us such accuracy.

Good light and good luck,

    —Miserere

Related posts:

1. Will Optical Viewfinders Become a Thing of the Past?
2. Beautifully Amazing Video Shot from the ISS
3. Amazing Ultimate Photo Booth Themed Rube Goldberg Machine

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2011. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

Apple iTunes image (small thumbnail screenshot)

The film The Company Men has a promotional photo of the cast which shows up in Apples iTunes store and also on the Studio’s website. Have a look at the larger image on the iTunes store (shown below). This is a $15M budget movie, couldn’t they at least put the actors in the same room for 5 minutes to get a promo shot? The shadows going in different directions, the heads that have various hair-lights. The cartoon like processing of the faces and bodies. It’s one of the worst Photoshop jobs I’ve seen in a long, long time. I guess they didn’t care and it’s probably why the movie earned less than $5M (and no, I haven’t seen it).

Click to see Apple iTunes larger image

If you’ve got some Photoshop disasters you’d like to share, Send us a copy via the contact link and we’ll add them to this article.

Cheers and good shooting
-Peter Zack

Related posts:

1. When Photoshop Is Done Right
2. Movie Review: Proof
3. Adobe Photoshop CS5 at a Great New Price. Also Lightroom 3

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Peter Zack for Enticing the Light, 2011. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

by The Blue Rose

I have had my Canon DSLR now for a little over a year, and it’s been a really exciting time for me. When I got my camera, I was determined to learn how to use it, and not just shoot on Auto. If I was spending that much money on some equipment, I wanted to be able to actually use the knobs and twiddly bits that I had paid for.

So I bravely took my first baby steps into the world of photography, and like many beginners, the first thing I did was go HELP! The second thing I did is go looking for places to actually find help and also learning experiences. I joined several online photography communities, I joined two real life photography clubs, I spent a LOT of money on books, I spent even more time online doing research. And of course, I got out there with my camera, shooting, experimenting, and trying to learn.

Here is some of what I learnt:

• In general, photographers are *nice* people. And if you are genuine in your desire to learn, and listen, most of them will be happy to take some time to listen and offer you advice. Sometimes its a little thing like the lady who showed me how to select the focus point on my camera on a field trip. Sometimes it’s a big thing like the guy who came over (for a very reasonable fee) and showed me some advanced tips in Lightroom.
• Going out on a field trip or a photowalk offered me the most valuable learning experiences. Especially in the beginning when I was really new to my camera, I was able to talk and ask questions and get good advice. But the actual being out and about with my camera was the most educational. Things like remembering to pack a hat, sunscreen and a waterbottle on a hot day, or how well your bag fits; wearing comfy shoes, packing a basic first aid kit, learning while climbing down a cliff what the extra 5kg of load does to your centre of balance…that kind of thing.
• People learn in different ways. I am a kinaesthetic learner—I learn by doing stuff. Find a way that works for you.
• Join a local camera club—I have joined two over the last year and both offer a different focus on photography that appeal to my different interests. Go along on the field trips and get to know people.
• Online communities can be a lot of hard work. I was lucky to find a really supportive one actually based in the country I live in, as most of them are overseas based (usually the US). I have found many dominated by closed cliques—usually of guys for some reason. If your opinions and views are not the same as theirs, it can be hard to find a place for yourself. I had a disagreement with one particular forum as they insisted that everyone use a real name as their user name. This is not my personal philosophy about how I use the Internet, and didn’t feel welcome there at all really. So be open minded, and keep trying, hopefully there is a group out there where you will feel like you fit in.
• Books are your friend—I am a big fan of technical books that help me learn, so I have a collection of those on photography. I have loaned them out to a few other beginner friends and found they also liked them as reference books. I also enjoy looking at ones that are more portfolios—I find those good for ideas and for inspiration.


Swing!

• Be brave and take your camera out into different situations. Twelve months ago I had never taken a photo of a seagull, or a pukeko, or a guy kiteboarding or windsurfing, or people swing dancing or rock’n'rolling. I had never driven for an hour each way to take photos of waves on a particular beach, driven home from work in a hurry to catch the sunset in time, fallen up a cliff, got soaking wet in the rain shooting friends in a sporting event, got freezing cold on a beach at sunset or got an awesome shot at night time of a pier all lit up with coloured lights that I submitted for exhibition recently!
• The technical side of photography can be hard work. I really struggled with getting the basic concepts straight in my head, and now I struggle to remember all the different options and things to use in any given situation. People learn at different rates and in different ways. So be gentle with yourself, but don’t give up. Oh, and don’t listen when you are told “shoot in Manual”—shoot in whatever way works for you. I get really angry with the people who say “shoot in manual, it’s easy and that’s what real photographers do”. It isn’t easy and it totally isn’t the only way to use your camera, and I know for a fact that there are plenty of pro shooters out there who don’t shoot in manual.
• If you shoot in RAW then be prepared to spend lots of time at your computer editing photos. And learn to be brutal and cull the bad and average ones otherwise you will clog up your hard drive really quickly.

I have really enjoyed this last year; I have had some really fun experiences and met lots of great people. I did things in aid of getting THE shot I had never even considered doing before. And its only whetted my taste for more. BRING IT ON!

All images: ©The Blue Rose.

Related posts:

1. 10 Little Known Facts from the World of Photography
2. Augenblick: A Photography Exhibit for Chicago, and a Book for the World
3. Learning to Shoot – 13 Lucky Photo Tips

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2011. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

If you want to buy a gift for the photographer who owns everything (and what they don’t own generally costs a few thousand dollars), then here’s a great idea: The f-stop watch. Instead of watch with the usual numbers on it, this one has aperture values marked on it. I don’t know why f/1 or 1/1.4 aren’t there, but I still think it’s a cool watch. It’s currently out of stock, but at $36 + S&H it’s no wonder.

EtL is not affiliated with NeatoShop and doesn’t receive any commission from sales of this watch. We just thought it really was neat.

Thanks to Somanna for bringing this to our attention.

Related posts:

1. When Photographers Go to Court
2. Police to Be Off-Limits to Photographers in the UK
3. Photographers' Virtual Trade Show

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2010. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

by Sean Leahy

Be sure to read The Secrets of Grand Central Terminal, Part 1.

During a recent vacation, I was visiting some family in North Carolina for a few days on my way up to New York City for a photography work shop and to visit some friends. While sharing some prints I had made from my last trip to New York City and Grand Central Terminal, my aunt revealed that she worked for the company hired to restore the ceiling in Grand Central, and she was one of the project managers. It reminded me to call my contact at the MTA to see if I could get another special tour while I was in town.

“You’re not going to believe this,” predicted the voice on the cell phone, “but it just so happens that I have a special tour already booked on Wednesday for a photographer from some newspaper in England. If you want, you can tag along.” I said Wednesday would be perfect and confirmed the arrangements.

I emerged from the subway at Grand Central Terminal Wednesday morning a few minutes early, so I decided to get a coffee and make one last check of my gear. I know how my host for the day operates—once we get going, there’s no stopping or going back. I was traveling lighter than usual. Whatever I brought with me was going to be on my back until late that night, so I left my 70-200mm zoom and fish-eye lenses at the hotel. I knew from prior experience at GCT that the long lens had limited value and the fish-eye was an unlikely creative choice for what I expected to see… but what was I going to see?

When I got to the Station Master’s Office, I found out that the itinerary for the day revolved around the same places I had photographed on my last tour of the terminal. “No problem,” I thought, “I can go back and try to get some of the shots that didn’t turn out, or some of the things I missed. Maybe I’ll see the same things in a different way. At least I know what I’m in for this time.” But (to my delight) the other photographer didn’t show. So I convinced my guide to show me something new. And new I got.

 

“I’m going to take you to a part of the terminal that has never been photographed before. It’s been there the whole time, but it’s also new. You’ll be the first photographer to go in there.” I was lead through a series of doors, elevators and three different security checkpoints, until we arrived at Grand Central’s new (and unfinished) Operations Control Center. I pulled out my tripod and my trusty Sigma 10-20mm f/4-5.6 and took a few long exposures at f/16. Next I was lead through another set of security checkpoints and up a flight of stairs to what, I’m told, the press like to call the “War Room” (much to the dismay of the officials at the MTA, who prefer “Situation Room”).

 

From these locations, the MTA has communication with every train on the line and a view of every switch and from here can manage all public relations with the media. Sometime this month, as I understand it, there is supposed to be a Discovery Channel feature on Grand Central’s new OCC.

Along the way we took a detour and climbed up behind the clock that faces 42nd Street. It is the world’s largest example of Tiffany glass and it is linked directly, via satellite, to the atomic clock at the Naval Observatory in Bethesda, Maryland. I was told I’d have to go through some pretty tight places to get up there, so I left my camera bag and tripod behind and carried only my camera and a couple of lenses. Through an opening in the wall, not deep enough to be a closet, much less a hallway, an unusual door opened to a dusty space of concrete and brickwork dating back to the early beginnings of the building. It was warm and dark, lit only by a couple of tungsten light bulbs. We climbed up a couple of simple steel ladders, clearly fabricated for this location, through a crawl space, over some large pipes (of unknown purpose), and up another ladder.

 

We finally arrived at the platform supporting the gear-works of the clock behind the clock face, and I got right to work; but I soon ran into a problem: There was a lot of light coming in from the clock face, relative to the lack of light from where I was standing, and I wanted to get more detail out of the gears that ran the clock. I didn’t have my tripod, so HDR was out. I didn’t bring my hot shoe flash, and although my camera has a built-in flash, it casts a shadow on the floor when using it with my Sigma 10-20mm lens. Solution: I turned the camera upside down and shot with the onboard flash. It worked perfectly! I climbed back down from the gear platform and nodded to my guide that I was ready to move on.

 

“Wait.” He said, “I have one more thing to show you. Here’s what you’re going to do. I’m going to open this window, and you’re going to hold your camera outside—now, be very careful! Do not drop your camera—You’re going to turn your camera around and shoot backwards and up at the clock.” So I wedged myself into position, stuck my arm out of the window (camera strap wrapped three times around my wrist), and took a few stabs at it. In retrospect, I wish I had brought my fish-eye… Maybe next time.

After our trip through some of the more secure areas of the terminal building, I was taken down to the train platforms to get a few shots of the train and sign pictured at the top of this article. It is hot and humid on the terminal platforms, and very noisy. The day was wearing on, and I knew that my host needed to return to other functions, so I set about finding my locations and angles quickly. Sweat was already dripping down my face as I began setting up my tripod. The train and platform were to be briefly unoccupied, allowing me just enough time to get a few clear shots. To maximize DoF I used f/20 with a 2 sec. timer, MLU and a cable release. (Incidentally, the sign in that photo was backlit, so I used a couple of pocket-sized flashlights to “light-paint” the sign and balance the exposure.)

 

After I finished on the platform, we couldn’t think of anything more to go look at, and it was time for my escort to get back to work. But I still had about an hour left before I needed to move on to my next appointment. So I decided to get a few more shots of that famous ceiling. The flag that has hung above the information booth in the center of the concourse since 9/11 had been removed (something to do with some sort of promotion, I was told) so I was able to get a clear shot of the whole ceiling.

I stand by my statement in my last article, that you could spend a couple of weeks photographing in Grand Central Terminal alone and never run out of subject material. As I’m taking the opportunity now to review my photos from this and previous adventures into Grand Central, I realize there are still quite a few shot I want to go back and get. I guess that leaves me something to do next time!

More images from my forays into GCT can be found here.

Check out my related article Photographing the 7 Secrets of Grand Central Terminal, Part 1: Hidden in Plain Sight.

Sean Leahy is a vagabond musician and photographer who employs both as reason and means for traveling the world. Follow him on his blog, 43mm2creativity.

All photos: ©Sean Leahy.

Vote for us by clicking on the button below!

Note: Links in this article might be to one of our affiliate stores. Purchases made from our affiliates through these links will benefit Enticing the Light at no extra cost to you.

Related posts:

1. The Secrets of Grand Central Terminal

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2010. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

Fire Escape Collapse  ©Stanley Forman

Imagine you’re a news photographer hanging around City Hall covering a small demonstration when, without much warning, a race riot breaks out in front of you. You would start taking pictures, of course. Now imagine your camera’s motor drive malfunctions… This happened in Boston on a sunny April 5^th in 1976, and the photographer was Stanley Forman, internationally known for his Pulitzer-prize winning photo Fire Escape Collapse.

On that fateful morning, he would take a photo (see below) that would garner him his second Pulitzer (and even inspire a book). But he almost didn’t take it.

Visit Digital Silver Imaging, where our friend Eric Luden will tell you the whole story and show, for the first time ever as far as I know, the reel of film leading up to that momentous photograph.

The Soiling of Old Glory  ©Stanley Forman

Note: Links in this article might be to one of our affiliate stores. Purchases made from our affiliates through these links will benefit Enticing the Light at no extra cost to you.

Related posts:

1. 2011 Pulitzer Prize Winners Announced
2. God Save the Queen! (Just Don’t Photograph Her)
3. How to Photograph a Monkey in Space

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2010. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

My friend Doug alerted me to this amusing graph describing the evolution of a photographer’s “life”. As with all good humour, it’s funny because there is some truth in there. Click for full size view.

Found on DataViz.

Do you know what stage you are at? I’m definitely near Death…ha ha ha

PS: If anyone knows who it was that came up with this graph, please let me know.

Related posts:

1. When Photographers Go to Court
2. Police to Be Off-Limits to Photographers in the UK
3. Photographers' Virtual Trade Show

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2010. All rights reserved, do not reproduce without permission. | Read article with proper formatting.

What We Are Offering

Here at EtL Miserere and Peter would both like to do something to assist the victims of the Haiti earthquake.

To that end, we are offering 8 photos from our personal files that you can purchase as prints. All profits* from this sale will be donated to the Canadian Red Cross Haiti Relief Fund. Why the Canadian Red Cross? For one, Peter is Canadian, but more importantly, the Canadian government has committed to matching any donations made by Canadian individuals up to a total of $50 million. This means your contribution will be automatically doubled!

We will be accepting orders for 4 weeks, but will extended the deadline if interest warrants it)

How This Will Work

You will purchase your print(s) via secure server provided by PayPal; you can use your credit/debit card and do not need to have an account with PayPal. The funds go to Peter Zack. At the end of each week Peter will take the donations to his local Red Cross branch. The receipt(s) will be published here on the site for verification. We will also publish the local phone number of the branch where the donation was made. All donations will be made on behalf of Enticing the Light. Also at the end of each week we will place the orders for your professionally printed photographs, which you should receive within the following week.

I Want to Donate but Don’t Want a Print

No problem! But beware of donation scams. We would recommend donating to a reputable organisation; below we list trusted Haiti relief efforts:

American Red Cross
Canadian Red Cross
American Salvation Army
Canadian Salvation Army
UNICEF

Please note direct donations will not receive a photo.

Print Options

Please note that photos will have a white border around them, so image size will be slightly smaller than paper size given in table above.

The photos will be sent to your address within 2-4 weeks of the donation only dependent on printing and delivery times. At the moment we are accepting donations only from the USA and Canada as delivery pricing for other countries is too high to make economic sense. We recommend that our international readers simply make a direct donation to the charity of their choice.

Choose Your Photo(s)

We offer you 8 photos from which to choose from, all taken by us, and processed to make sure they print beautifully. Don’t think you need order just one; feel free to order as many as you like. The more you purchase, the more money goes towards the Haiti Relief Fund. And remember the Canadian government is matching your contribution!

Click on each image to see a larger version. When you know which one(s) you want, click on the appropriate size below the photo(s) and you’ll be taken to the PayPal payment page. You can order more than one print of each photo, but this will incur an extra $0.50/print to account for increased shipping costs. It’s of paramount importance that you include your shipping address when placing your order, if not, your shipping will be delayed while we contact you to get your address. Plus, it will annoy us. Please don’t annoy us

Order Small Order Medium Order Large	Order Small Order Medium Order Large	Order Small Order Medium Order Large	Order Small Order Medium Order Large

Order Small Order Medium Order Large	Order Small Order Medium Order Large	Order Small Order Medium Order Large	Order Small Order Medium Order Large

Thank You!

We thank everyone for taking an interest in this most worthy cause and appreciate any donations made either through this Enticing the Light print sale or directly to the charity of your choice.

Please help support our efforts by making your friends aware of our print/donation offer.

*From the amount of your contribution we will deduct Paypal’s transaction fees, and the printer’s printing and delivery costs; all the rest will be donated to the Canadian Red Cross, and in no case will EtL keep any money.

Related posts:

1. Worldwide Photo Walk – Hosted by Scott Kelby
2. Landscape Photo of the Day
3. Photo Walk – Charlottetown PEI Edition 2009

Start a FREE trial at zenfolio or get up to $25 off your subscription by using discount coupon E6P-UJA-UCX

Please consider purchasing through our affiliate stores. If you visit one of the stores through the links below and place an order, EtL will receive a small commission at no extra cost to you. We hope you don't mind these ads; revenue from commissions is how we keep EtL running. Thanks!

B&H	Adorama	Amazon	eBay	Best Buy

© Miserere for Enticing the Light, 2010. All rights reserved, do not reproduce without permission. | Read article with proper formatting.